So your villain has just made a heel-face turn and is now one of the good guys. Yay!
…not so fast!
The moment where an antagonist turns on their own side and joins that of the protagonists is extremely powerful. But unless it is part of the overall story's climax and finale sequence, there has to come an ‘after’.
What happens after the villain becomes good?
Are they immediately the picture of morality and humble yet impeccable behaviors, standing for what's good, right and the *insert patriotic adjective here* way?
That doesn't sound very realistic.
We are all defined in our day-to-day behaviors and interactions by what we have learned. We all have learning histories where we developed our usual patterns of behavior in response to or in anticipation to certain stimuli.
For example, if a kid realises that throwing a temper tantrum will get them what they want after being told no, chances are that they will keep throwing temper tantrums every time they aren't immediately given what they want.
…right up to adulthood.
If a person learns from their experience that calling the manager or making fuss in a business will get them what they want, perks, or discounts, then guess what they will keep on doing?
happens across the board
These behaviors can be conscious but they can also be so well ingrained in someone's patterns that they do it even without thinking. Lashing out, laughing at something hard to handle, responding with ‘get over it’ when they don't want to be accountable for something, avoiding conflict at all costs, being unable to say no, all of these things are so well practiced by a person throughout their childhood and puberty that it's almost impossible for them to notice without help from others.
And yes, that's how abused people tend to gravitate to abusers, because that's the behavior they have learned is normal interaction, normal ‘love’, and so on.
In the same vein, a villain's learning history has taught them certain behaviors. These will be fraught with elements such as aggression, a tendency to impose or force their opinion, dominance (in a toxic way), inability to manifest compassion without feeling vulnerable (or weak, or foolish, etc), inability to be polite or considerate, a toughness that overlaps with abusive behaviors, and so on.
It's going to be a learning curve for them to modify these behaviors to be compatible with the new side they are now on. Sometimes it will be easy (depending on what type of villain they were) and sometimes it will be very hard. Sometimes it will be easy on the surface but fracture the moment they are angry (for example, easily going on a rampage and overkill when -now righteously- angry) and overtly offer to do the ‘dirty work’ their new allies are ‘too good/ don’t have the guts' do.
These people may also be really ill equipped to interact with people in any way except a competitive/antagonistic dynamic, and when shown they don't have to compete for dominance, they may not know what to do, simply because that is a behavior they haven't learned an appropriate/working response to.
A heel-face turn is the triumphant conclusion of a villain realizing they should quit being a villain- a character arc in and of itself. But it is also the beginning of the next (the new) character arc ahead: making amends, and learning to be someone else, someone better, someone that belongs to the good side, however imperfect.
How have your villains fared after doing their heel-face turn?
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Making Amends
Tantz_Aerine at 12:00AM, June 1, 2024
6 likes!
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PaulEberhardt at 5:39AM, June 3, 2024
Often the formerly bad guy dies heroically shortly after his conversion, and that's such a predictable plot device that it tends to annoy me. It's a way of circumventing the problem you outlined, of course, especially if you've only got that much air time left, but it's also a waste of opportunities for loads of inner conflict. This is one of the many. many things long-running webcomics do so much better than the mass media.
EssayBee at 8:04PM, June 1, 2024
For some reason, this made me think of Psycho 2. Poor Norman is reahabilitated, but the "good" people don't believe he can be rehabilitated (or just want him to suffer more for what he did) and try to frame him and eventually push him back into insanity. But Norman Bates is more of a tragic figure than a bad guy (so I guess a bit off-topic here).
usedbooks at 3:24AM, June 1, 2024
I have bad folks in my stories that do helpful things or want to be good guys, but there is a lot of gray area. I also have villains who are helpful to the protagonists but not for any good reasons; it just serves their personal objectives. Oh, and some criminal folks who were always "good" guys but have decided they also want to stop being criminals. They are fun because they have criminal skills and instincts they have to rein in. Tristan is very much a protagonist, but he lockpicks and swipes things sometimes (then feels bad about it). And the former assassins are naturally dicier. Since his first attempts to be a better person, Fudo has still gone into a blind rage and proven he's still violent. Granted, he's killing BAD people and solving problems by doing so, but the other protagonists take serious issues with that method of problem solving.
usedbooks at 3:13AM, June 1, 2024
I love a redemption arc. One variation of this I've seen a lot (and enjoy) is when the bad guy starts out as a plant/spy on the good guy team. There are clues to their bad guy status until they reveal themselves. Then there's violent confrontation. But a little seed of doubt has been planted on the journey, and the bad guy has been softened by being part of the team, so he turns on his own team of bad guys. Sometimes there's no reveal to the good guys that he was ever bad to begin with because he goes through the entire character arc in secret (revealed to the audience) and becomes the good guy he was pretending to be.
InkyMoondrop at 12:51AM, June 1, 2024
Two of my previously established "villains" tried to make amends and did to a certain degree, but realized that even doing the right thing and helping others led to harm. Both are dead at this point of the story, although we'll see a lot more of one through flashbacks to understand the circumstances of his death and the kind of person he became in the end. In a way both earned their redemption in the eyes of others and has some positive experiences. The chapter that offered one redemption became the sort-of origin story of the other. Whether there's redemption for a current villain of mine or not remains to be seen, but what makes him different is that he's strong in his core beliefs (which previously led to a lot of harm for our heroes). He serves God to the best of his abilities, period. It comes down to God's plan, thousands of years in the making, his true nature, what God's room hides (the absolute final mystery of the comic series) how this villain will be remembered in the end.